Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Morris, William
Queen Guenevere

ID: 19551

Morris, William Queen Guenevere
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Morris, William Queen Guenevere


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Morris, William

English Pre-Raphaelite Writer and Designer, 1834-1896 English designer, writer and activist. His importance as both a designer and propagandist for the arts cannot easily be overestimated, and his influence has continued to be felt throughout the 20th century. He was a committed Socialist whose aim was that, as in the Middle Ages, art should be for the people and by the people, a view expressed in several of his writings. After abandoning his training as an architect, he studied painting among members of the Pre-Raphaelites.   Related Paintings of Morris, William :. | Guinevere | Acanthus Wallpaper | Queen Guenevere | Ariadne | Queen Guenevere |
Related Artists:
John R.Chapin
1823 - 1904,was a 19th-century American artist and illustrator, who worked for Harper's Magazine. He was especially noted for a series of illustrations entitled Artist life in the highlands of New Jersey published in April 1860 which gave a realistic depiction of the daily life of miners.
Jean-Achille Benouville
(15 July 1815, Paris - 8 February 1891, Paris) was a French landscape painter of the academic painting school, known for his Italian landscapes. François-Leon Benouville was his younger brother.
CERQUOZZI, Michelangelo
Italian Baroque Era Painter, ca.1602-1660 Italian painter. He was a painter of bambocciate (low-life subjects), battles, small religious and mythological works and still-lifes. He was born of Roman parents, baptized in the parish of S Lorenzo in Lucina and spent his entire life in his native city. A member of the Accademia di S Luca since 1634, Cerquozzi attended meetings of the society as late as 1652. His friends included Domenico Viola, Pietro da Cortona and Giacinto Brandi. More significant were his associations with foreign residents in Rome. According to Baldinucci, Cerquozzi had special affection for the Spanish, owing to the patronage he received from the major-domo of the Spanish Embassy as a youth, and would often don Spanish attire as a sign of his sentiment. His Spanish connections may partly account for the many commissions he later received from patrons identified with Rome's pro-Spanish political faction (Haskell). Cerquozzi enjoyed equally good rapport with northern European residents of Rome. He is documented as having quartered with artists from beyond the Alps, including Paulus Bor and Cornelis Bloemaert, for the bulk of his career.






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